the kiss rodin sculpture 低ポリ 3Dモデル

3d hd model of the kiss (rodin sculpture)
https://vimeo.com/198882745
files in winrar archives.

located in scene xyz=0,0,0

incluides files in winrar archive:

med poly with textures (.obj.fbx.mb .max )
low poly with textures (.obj.fbx.mb .max)

.:::formats:::.

.obj / located in scene in xyz=0,0,0
.fbx 2006 / located in scene in xyz=0,0,0
.mb maya 2008 and up / located in scene in xyz=0,0,0
.3ds max 8 located in scene in xyz=0,0,0
.stl

.:::textures::::.

-color
-normal map
-bump

8192x8192 / .jpg
4096x4096 .jpg in low poly model.


-----------------------------------------------------------------------------

the kiss (french: le baiser) is an 1889 marble sculpture by the french sculptor auguste rodin. the embracing couple depicted in the sculpture appeared originally as part of a group of reliefs decorating rodin's monumental bronze portal the gates of hell, commissioned for a planned museum of art in paris. the couple were later removed from the gates and replaced with another pair of lovers located on the smaller right-hand column.

the sculpture, the kiss, was originally titled francesca da rimini, as it depicts the 13th-century italian noblewoman immortalised in dante's inferno (circle 2, canto 5) who falls in love with her husband giovanni malatesta's younger brother paolo. having fallen in love while reading the story of lancelot and guinevere, the couple are discovered and killed by francesca's husband. in the sculpture, the book can be seen in paolo's hand. the lovers' lips do not actually touch in the sculpture, suggesting that they were interrupted and met their demise without their lips ever having touched.

when critics first saw the sculpture in 1887, they suggested the less specific title le baiser (the kiss).

rodin indicated that his approach to sculpting women was of homage to them and their bodies, not just submitting to men but as full partners in ardor. the consequent eroticism in the sculpture made it controversial. a bronze version of the kiss (74 centimetres (29 in) high) was sent for display at the 1893 world's columbian exposition in chicago. the sculpture was considered unsuitable for general display and relegated to an inner chamber with admission only by personal application.